Virtual space, self-consciousness, sonic ontology, and the erotic theory of beauty and ugliness are central themes in my work. I see virtual space as a place where “nature” can be redefined, elements reconstructed, repositioned, and reinterpreted. It offers endless possibilities and makes the unreal tangible. My practice questions self-consciousness not as something confined to the body, but as something that arises through external interaction, coexistence, rather than interiority.

Rooted in conceptual art, my work spans music, digital media, drawing, video, and installation. It often takes the form of narratives exploring contemporary culture and the instability of identity. I construct detached worlds inhabited by fictional characters, nonexistent beings who guide the trajectory of each project. In recent years, noise music and live performance have become a major focus. This work is raw, loud, and physical, allowing me to express what images alone cannot.

My ideas around beauty and ugliness were shaped by growing up in the darker, anonymous spaces of the internet, environments that embraced discomfort, distortion, and difference. These experiences challenged dominant aesthetics and taught me to find beauty in what’s often seen as disturbing or unwanted. My work resists surface-level aesthetics in favor of immersive, experiential environments.

There is something deeply human in art that disturbs. It challenges the viewer while offering emotional power and strange tenderness. This shaped how I viewed myself and led me to question how identity is constructed, marginalized, and regulated. Whether I’m building a digital world or performing live sound, I treat each work as a container for emotional intensity. My process is intuitive, often centered around imagined spaces or fictional characters that help me express something internal. Regardless of medium, my work is connected by recurring themes and tone, each project shaped by research, experimentation, and lived experience, evolving naturally into the next. I see my practice as ongoing, shifting, and open-ended.